The Liberated Page. An anthology of major typographic experiments of this century as recorded in ’Typographica’ Magazine

kr450.00

Spencer, Herbert (ed.)

Beskrivning

Lund Humphries Publishers Ltd., London, 1990. 208, (23) pages. 4to (27,5 x 21 cm). Bright red, printed stiff paper wrappers. Protective plastic covers, signs of small faint spots from the tape on first and end papers, otherwise nice copy. Most of the pages in this book are facsimile reproductions of the original Typographica pages. Printed in red & black. Foreword by Aaron Burns. Contents: Robert Massin by Germano Facetti. Josua Reichert: typography as visual poetry by Jasia Reichardt. The Books of Diter Rot by Richard Hamilton. BCG: The work of Brown, Chermayeff, and Geismar. Idéogrammes lyriques (discusses Guillaume Apollinaire) by Stefan Themerson. Paul Van Ostaijen by Edward Wright. Lyric Poetry – Instructions for Use by Paul Vincent. Richard Hamilton’s version of ’The Green Box’ (discusses Marcel Duchamp) by Edward Wright. From Painting to Photography: Experiments of the 1920s (includes Raoul Hausmann, El Lissitzky, Man Ray) by Camilla Gray. Avant-garde graphics in Poland between the two world wars by Anatol Stern. Henryk Berlewi and Mechano-Faktura by Eckhard Neumann. Piet Zwart by Herbert Spencer. Paul Schuitema by Benno Wissing. John Heartfield by Eckhard Neumann. Alexander Rodchenko: A constructivist designer by Camilla Gray. Herbert Bayer’s photographic experiments by Eckhard Neumann. Kurt Schwitters on a time chart by Stefan Themerson.

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